Monday, June 24, 2013
Monday, May 20, 2013
THE FUTURE WHITE WOMEN OF AZANIA @ the 55th Venice Biennale .
Future White Women of Azania - The Founding Myth
55th
Venice Biennale
2/3/4 June
20:15 – 21:00 pm , Campo dei Frari
The Future White Woman of Azania is an
ongoing series of performances first conceived in 2010 and evolving to engage
new definitions of nationhood in relation to the autonomous body.
In the
enactment of the site-specific work commissioned for the 55th Venice Biennale,
the performance takes the form of an absurdist funerary procession. The
participants are the ABODADE - the sisterhood
order of Azania and the central protagonist - The Future White Woman.
“Azania, as a
geographic location, is first described in 1stCentury Greek records of navigation and trade , The
Peryplus of the Erythrean Sea and is
thought to refer to a portion of the East and Southern African coast. The word Azania
itself is thought to have been derived from an Arabic word referring
to the ‘dark-skinned inhabitants of Africa.’
Azania is then eulogised in the black consciousness movement as a pre-colonial utopian black homeland- this
Promised Land, referenced in struggle songs, political sermons and African
Nationalist speeches. In Cold War pop
culture , Marvel Comics used Azania as a
fictional backdrop to a Liberation story that bares a close resemblance to the
situation that was Apartheid in Old South Africa … so it is at once a mythical and faintly factual
place/state that this performance unfolds… Who are the Azanians for what it’s
worth ? It is in this liminal state that
the performance unfolds…“
Seeking to radically reimage the potential of Azania and its
inhabitants, the performance questions the mythical place that we mourn for and
asks who its future inhabitants may be. Using the “Nation-Finding language of pomp and procession” , Ruga
proposes a bold and iconoclastic break
with the past Utopian promise of the elders and instead presents us with a new
potential and hybridity .
Artist Bio
Born – The Republic of Transkei [1984 ]
Lives and works in both Johannesburg and Cape Town.
Exploring the border-zones between fashioni , performance and
contemporary art, Athi-Patra Ruga makes work that exposes and subverts the body
in relation to structure, ideology and politics. Bursting with eclectic
multicultural references, carnal sensuality and a dislocated undercurrent of
humor, his performances, videos, costumes and photographic images create a
world where cultural identity is no longer determined by geographical origins,
ancestry or biological disposition, but is increasingly becoming a hybrid
construct. A Utopian counter-proposal to the sad dogma of the division between
mind and body, sensuality and intelligence, pop culture, craft and fine art,
his works expresses the eroticism of knowledge and reconciles the dream with
experience.
Recent exhibitions include: The Beautyful Ones , Nolan Judin Gallery
, Berlin .Under a Tinsel Sun the main exhibition of the III Moscow
International Biennale For Young Art; Making Way, in collaboration with Mikhael
Subotzky National Arts Festival, Grahamstown, South Africa; Ilulwane, a solo
performance at PERFORMA11 (NY) ,Beauty and Pleasure in Contemporary South
African Art at the _Stenersen Museum_ in Oslo, Norway; the *Guangzhou Trienalle
in China; Ampersand at the Daimler Collection (Berlin); A Life Less Ordinary -
Performance and Display in South African Art, (UK); For Those Who Live in It -
Pop culture Politics and Strong Voices, _MU_ (Holland); *Athi-Patra Ruga - The
Works, Solo Exhibition at _FRED_ (London) and *Dak'Art - Biennale of African
Contemporary Art (Dakar).
Athi-Patra Ruga was also recently included in the Phaidon book
_'Younger Than Jesus'_, a directory of over 500 of the world’s best artists
under the age of 33. His works form part of private public and museum
collections here and abroad, namely: Museion - Museum of Modern and
Contemporary Art, Bolzano Italy; CAAC - Pigozzi Collection; The Wedge
Collection, Iziko South African National Gallery.
Thursday, January 24, 2013
PRESS RELEASE - THE FUTURE WHITE WOMEN OF AZANIA - the procession.
Procesion Begins - 17hr00 - Drill Hall , Twist Street , Johannesburg
Ends - 19hr00 - Standard Bank Gallery - cnr Simmonds and Frederich Str , Johannesburg .
For Immediate Release - 01/2012
Athi-Patra Ruga's performance,The Future White Women Of Azania, marks the culmination of a body of work that has been in development for a number of years. Initially created in 2010 for the “For Those Who Live in It - Pop culture Politics and Strong Voices” exhibition, hosted by the MU Art Foundation in Eindhoven, The Netherlands, the performance has since travelled to Buenos Aires, Johannesburg, Grahamstown and Cape Town.
Ends - 19hr00 - Standard Bank Gallery - cnr Simmonds and Frederich Str , Johannesburg .
For Immediate Release - 01/2012
Athi-Patra Ruga's performance,The Future White Women Of Azania, marks the culmination of a body of work that has been in development for a number of years. Initially created in 2010 for the “For Those Who Live in It - Pop culture Politics and Strong Voices” exhibition, hosted by the MU Art Foundation in Eindhoven, The Netherlands, the performance has since travelled to Buenos Aires, Johannesburg, Grahamstown and Cape Town.
Much like a painter will use her
studies to develop the final art work, Ruga has used the various performances
as a performance-in-continuum to build the population of The Future White Women Of Azania. The original character, The Future White Woman Of Azania,
performed for the first time, at the 2012 National Arts Festival, under this
name, saw the artist create a procession through Grahamstown that was to be
followed with a 19th century camera obscura, operated by collaborator,
Mikhael Subotzky. The performance
created for the 2012 GIPCA Live Art Festival, The Future White Women of
Azania : the manifesto, the balloon character was cloned and The Future
White Woman of Azania became The Future White Women of Azania
for a storefront performance within an installation.
The Future White Women of Azania
- the
procession – the performance to be staged for MAKING WAY: Contemporary
Art from South Africa and China - will
be the artist's most ambitious venture with the performance in terms of style
and scale. The 4-hour performance begins with the ritualistic blowing of
balloons and the dressing of the all 5 performers that make up the population
of The White Women Of Azania thus far, the performance will culminate in a 60 minute procession from the Drill Hall on Plein St (site of the Rivonia
Treason Trial) to the Standard Bank Art Gallery on Anderson St in the
Johannesburg CBD. This is a continuation of the artist’s exploration alternative
rituals as a means of intervention, something that is a huge influence also in
each of the artist's performances. In creating these rituals, the artist
performs a kind of Jacobinistic purge of the staid and unimaginative in all
aspects of existence. This has been first evinced in the neon
"manifesto", “Purge Your Elders”, that formed part of the
performance installation of The Future White Women of Azania : the manifesto,
performed for the GIPCA Live Art festival.
These performances are first and
foremost an intervention. It is a way in which conflict is established through
a miasma of stimuli. Here movement and non-movement, exoticism and mundanity,
noise and silence, come together to challenge the rigid compartments within
which we place them. It is also a confrontation of the politics of context, in
that the art work is taken out of the sterile controlled gallery environment,
and is exhibited in the most public way imaginable – right on the streets of
the bustling city.
Map : https://maps.google.co.za/maps?q=standard+bank+gallery+johannesburg&ie=UTF-8&ei=uMcGUea2IdC20QWRiYCIBQ&ved=0CAsQ_AUoAA
Map : https://maps.google.co.za/maps?q=standard+bank+gallery+johannesburg&ie=UTF-8&ei=uMcGUea2IdC20QWRiYCIBQ&ved=0CAsQ_AUoAA
Thursday, January 10, 2013
...in conversation with I-HEART / CAPE TOWN .
Last month we had a lovely visit from the guys from I-HEART Magazine . They were doing an issue on whatitdid in the city I've been calling my home for the past four years ... the fairest Cape Town . I am so lucky to been ion the presence of people that i have worked with under the spirit of collaboration ... thinking of the Spoek Mathambos , KopeFiggins , Bee Diamondhead , Petit Noir , RhaRha Nembhard et al . makes me wanna do this forever. now go get your copy. x apr and studio
Labels:
Ilulwane,
News,
PRESS,
The Future White Women of Azania
Wednesday, January 9, 2013
DOMUS MIXTAPE #7 :. Athi-Patra Ruga X BLK JKS.
The ‘the sound of Johannesburg’ mixtape, a BLKJKSSNDSYSTM collaboration with Domus Magazine and Athi-Patra Ruga, is a real treat for anyone who likes to step off the beaten hype machine track.
Wednesday, December 12, 2012
The Future White Women of Azania/ Live Art Review X Mary Corrigall
![]() |
| The Future White Women of Azania x Athi-Patra Ruga @ Live Art x Mary Corrigall Cover Photo : Ashley Walters |
Wednesday, December 5, 2012
...ilulwane 2011-2012 @ What If The World / Gallery .
![]() |
Ilulwane Series I -
Athi-Patra Ruga 2012
Archival inkJet print on Cotton Rag
142 × 117 cm
courtesy of the artist and whatiftheworld/gallery
|
Labels:
Ilulwane,
Performa 11,
Print Series Edition
Subscribe to:
Posts (Atom)





.jpg)




